For years my wife, herself a writer, was my first and only beta reader. Every draft of every novel went under her nose, and she’d return with her likes and dislikes. It was not a peaceful arrangement. Often her dislikes outnumbered her likes. I came to hate this process. I didn’t really want her feedback; I just wanted her to love it so I could send it to agents or editors with some confidence. Eventually, I relieved her of her duty as beta reader, and there was peace in the kingdom. About the same time I stopped showing my wife my books, I started writing music. I discovered that using Garage Band I could compose anything from a pop tune to a piano sonata to a symphony. I was thrilled. I’d wanted to compose music my entire life but I hadn’t the time nor discipline to learn to play the piano well enough to write what I heard in my mind. Now I could put little black dots into the program, press play, and hear what I’d written. Sometimes what I’d written sounded like what I heard in my mind, and sometimes it didn’t. And sometimes I liked what I’d written more than what I’d imagined and sometimes I did not. I was my own beta listener.
I was so excited when I finished a song or a little symphony. Even though I had chosen every little black dot, the song still felt a bit like something I’d discovered on the radio. I was the beta listener, after all. And since I always liked the songs, and since whenever you find a song you like you share it with someone you love, I’d play it for my wife.
At first, she was as delighted as I was. “You wrote that?” she’d ask. “Yes!” I’d say. “Isn’t that cool?” Once she’d gotten over the shock that her husband of fifteen years was now writing music, she began to listen with a more critical ear, commenting, “Oh, that beginning’s really dynamic.” Or, “The middle kind of bogs down, don’t you think?” And then one day, after listening to my latest piece: “That just doesn’t work for me. It has no center.”
And that was when a miracle occurred. I didn’t care. To my own amazement, I did not care one speck that she thought it had no center. What she or anyone thought of this or any piece could not change my relationship to it, could not change why I’d written it, or what I’d learned writing it, or what I thought of it. The two experiences were totally separate. And I thought to myself, “If I learned to write music for this lesson alone, it will have been worth it.”
If you like the ideas and perspectives expressed here, feel free to contact me about individual and group coaching.
Fearless Writing: How to Create Boldly and Write With Confidence. You can find William at: williamkenower.com