I was at a writer’s conference when I fell into a conversation with an engineer husband of one of the attendees. While an avid reader, he was not a writer himself, though he considered himself creative. In fact, he had made a point of this when a writer-friend of his wife had expressed surprise that he had scored high on the creative end of some personality test. “Of course I’m creative!” he’d explained. “I’m an engineer. My page starts out just as blank as yours.”
He couldn’t have been more right. It is easy sometimes for the artist to overlook the creativity of the scientist or the mathematician or the engineer. As he said, their pages begin more or less as blank as the writer’s. Each problem the engineer solves has never been solved before. How is that anything but creativity?
There is an important difference between the artist and the engineer, however, a difference the artist must never forget. The engineer solves problems entirely intellectually. Emotion plays no active role in the putting together of jigsaw puzzles or building bridges or solving mathematical equations. I have sometimes sought relief from my own emotional life in the puzzles of the world, the Sudoku’s and video games and even the tax forms—anything to occupy a restless mind in search of a focus.
The creative writer, meanwhile, designs bridges from fear to love again and again and again. The intellect becomes the heart’s loyal servant, hefting the stones of logic and language and placing them in an orderly fashion. The intellect has no idea where the bridge began or where it will end. In fact, the intellect doesn’t even know why the bridge exists. Nothing you can hold in your hand or eat or measure is gained from it, yet look at everyone on earth crossing that expanse, look at every soul rushing through the gate only the heart can open.
"A book to keep nearby whenever your writer's spirit needs feeding." Deb Caletti.
You can find William at: williamkenower.com