Writing your first story could be disorienting if you came to it a little later in life. After all, much of the stuff that concerns or alarms or annoys us seems to be outside of us. Sometimes a politician we don’t like is in power, or a war we disagree with is being fought, or a stock we own is going down, or a friend won’t call back, or a child won’t behave. If only all these things would work themselves out we might be happy. Then you sit down to write a story, to create something that has never existed before, to say, “This is what I think is exciting, or funny, or profound, or clever.” Now the world is yours. Now there are no other people to clutter things up with their misguided plans and wrong politics and greed and selfishness. Now there is only you and your world.
How disorienting when you find yourself just as concerned and alarmed and annoyed as if there were a whole crowd of people in your office offering you lousy story advice. There is no one to point to or to blame. There is only what you believe is lovely and valuable and interesting and your willingness to share it. Who could have predicted that this simple transference from thought to page would have the power to summon the same host of woes as the front page of any newspaper?
I can blame with the best of them. At least once a day I feel certain that I would be ceaselessly happy if only other people weren’t so ceaselessly unhappy. Then I sit down to write and I quickly run out of excuses for my mood. Doubt is the only enemy standing at the gates of my imagination. Doubt can see the end of everything before it has begun, and has come to warn me of what I might have overlooked. He’s right in a way—every story is written by looking past what could be and toward what we still believe is possible.
"A book to keep nearby whenever your writer's spirit needs feeding." Deb Caletti.
You can find Bill at: williamkenower.com