My father told me that great mathematicians make the worst math teachers. Better to have someone who struggled slightly in math class to guide a student through the challenges of logarithms. By this logic, I consider myself an ideal candidate to discuss the query letter. Until very recently I loathed writing them. Why, after spending two years on every detail of a novel, would I want to boil the story down to one paragraph? It was an impossible, odious but necessary evil, so I gritted my teeth, threw fits, dashed off something as intriguing as a technical manual, and then begged my wife for assistance. That was before The Epiphany, the specifics of which I will get to a bit later. Though I am hopefully at a point in my career where I no longer need to query literary agents, I now consider the query letter a friend, and over the next week, I hope I can convince you to view this odd correspondence similarly.
First, for those of you new to the business of finding a literary agent—a query letter primer. A query letter is a ONE PAGE (never more) summary of you and your project. The letter should be three or four paragraphs long.
- First paragraph: Polite salutation, name of project, genre of project, length of project, why project is right for particular agent.
- Second and maybe third paragraphs: Summary of project.
- Last Paragraph: Your credentials, if you have any.
That’s it. This should be the length of your submission whether you are querying through snail or email. In many ways, one of the objectives of the query letter is to demonstrate to the agent that you are serious about your writing. If your query is neat and professional, then you will have achieved at least that. In general, don’t be fancy. Use a basic business letter format and the most straight-forward language you can. A lot of agents feel busy and overwhelmed—let them know you respect their time.
So that is where we begin. I will deal with the paragraphs one by one and in greater detail throughout the week. Stay tuned . . .