 |
|
 |

          |
| |
|
|
|
|
 |
|
|

|
| |
|
|
|
|
|
|
|
| |
|
Gifted
by Jennifer Paros

Recently I had the opportunity to watch the film
Amadeus again and was struck by a scene
in which the fictionalized character of
Salieri,
Amadeus’s greatest admirer and nemesis, is
composing at the piano. He discovers a melody
with which he is delighted, turns to the
crucifix on the wall and thanks Jesus for the
blessing he’s been given.
In the next scene, however, Mozart plays the same piece (by ear,
after only one hearing), embellishes it, and turns it into something
grander and seemingly more impressive.
Salieri stands by
distressed. Later we see him in his room as he tears the crucifix
from the wall and throws it on the fire. In his eyes, God has
betrayed him; he wants to know why he’s been cheated out of this
sort of phenomenal talent – the talent Mozart seems to posses but
which he does not.
But this question’s foundation does not actually rest on the
“reality” of the uneven distribution of talent. For that is just a
story we make up. We often grade our gifts, which is very
different than receiving them fully. more... |
 |
|
| |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
 |
 |
Put the “New” Back in “New Year’s Resolutions”
by Erin Brown

It’s easy for writers who are seeking
publication to get into a rut. Hell, it’s easy for anyone to
get into a rut. So for 2012, why not make a resolution to do some
truly new things this New Year and see if some incredible
changes come your way? Now I’m not talking about the boring,
been-there-done-that stuff that everyone promises: go on a diet,
exercise more, save money, stop stalking Ryan Gosling, learn how to
boil water—you know, the basics. Of course, I can’t identify each of
your issues (and if you want to email them to me, feel free—I’ve
been known to offer fantastic advice on everything from matters of
the heart to matters of the kidneys), so I can’t comment on exactly
what you should aim for that will improve your lifestyle, health,
etc. But I can give some suggestions in terms of writing and
seeking publication.
more... |
 |
 |
FANBOYS
by Cherie Tucker
We all still remember those little mnemonic devices
like “i before e except after c” that helped us
over some of the tricky spots in our language. One I was never
taught in grade school that would have helped immensely I learned
only recently from a fifth-grader: FANBOYS. For,
And, Nor, But, Or, Yet, So.
This trick for remembering conjunctions, those words that join
things, will help you when you ask yourself, do I need a comma here?
If you have written two clauses (groups of words with subjects and
verbs) that could stand alone as sentences, but you want to combine
them, you join them with one of the FANBOYS. You have created a
compound sentence like this one, and compound sentences need the
comma. The comma signals to readers that what they just read is
finished but that the sentence isn’t. It also prevents misreading
if there is a line break or a page turn at an awkward spot.
more... |
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Points for Good Behavior
by Joan Frank
This year, for the first time in my fairly long writing life, I
agreed to perform volunteer work helping recruit authors for a
longstanding, local annual book festival.
Innocent-sounding, yes?
It meant, on its surface, contacting writers, inviting them to
discuss their work on Festival day. It meant I'd give them
directions and descriptions and schedules and parking information.
More grittily: it meant entering into a vast world of logistics.
Who'd read where, when. Venues, times, arrangements, props,
publicity. It meant meeting weekly to hammer out this stuff with
other volunteers. It meant seeking accommodation by city government
and local merchants. It meant working the event, making
introductions, hosting, worrying about tablecloths and sound systems
and that guy who arrives to repair tiles at the restaurant where the
panel discussion is about to start; whether audiences can easily
find the right venues for the authors; whether book sales tables are
visible enough. more... |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Hub & Outpost Method to Organize Your Social Media Marketing
by Joel Friedlander
Most authors have gotten the message: you have to be marketing on
social media sites if you want to make an impact and, eventually,
sell your content.
Social media is indispensable to today's self-published artists, but
it's good to remember that social media by itself is only one tactic
in your overall marketing strategy. Just using social media is not a
strategy in itself; it's a way to implement your basic marketing
thrust.
Set Up Your Hub
This method of organizing your social media activity requires that
you set up a Hub that will be your "home base." It could be a blog
or a website.
more... |
|
|
Are You
Grammatically Dismembering Your Characters?
by Jason Black
It's true. From time to time, writers dismember their
characters. I don't mean they do it with cleavers or chainsaws.
I don't mean that this happens in the plot. They do it with
grammar. When writers put a character’s parts in the grammatical
subject position instead of the character herself, the character
can come to exist not so much as her whole self but as a
collection of individual body parts that happen to be arranged
in a vaguely human manner.
Any portion of a character will do: Physical parts like feet,
ears, and eyes. Non-corporeal parts such as the mind, the
senses, and in paranormal or fantasy literature, special
abilities such as far-sight and the like. Here’s an example.
more... |
|
|
| |
|
| |
|

|
|
|
 | |
 |
 |
Home |Interviews | Reviews | Articles | Bookstore | Editor's Blog | Archives | Links | About Us | Subscribe to Author RSS Feed
Copyright 2008
Pacific Northwest Writers Association. All Rights Reserved |