Posts Tagged ‘Garth Stein’

Forget You’re Writing

Thursday, April 15th, 2010

I had a flute teacher who once told me that she took a helpful lesson from a French horn player. He told her to remember she was singing when she played, not talking.

I knew from an early age I wanted to be a writer of stories, and yet it was the poetry I read in high school that I found most instructive. I distinctly remember putting down a collection of T. S. Eliot and thinking, “Oh, you can do it that way.”

Garth Stein studied theater as a young man. He told me recently he thinks all writers should study acting at some point to help develop the muscle of becoming their characters.

Just as the bookstores are broken into their genre boxes, so too the arts are divided into separate schools. This is not such a terrible thing, of course. Artist are naturally seeking mastery in their given field, and soon enough this mastery is attained through attention to the unique details of their craft.

But in truth, the arts are about expression, not about craft. The craft is merely the tools to permit the expression. An artist’s first job, always, is to locate that which desires to be expressed. I began writing music in earnest a little over a year ago, and this fresh discipline provided a new perspective on the entirety of my creative life, of which writing had too long been the sole vehicle. The push and pull of tempo, the plot-like direction of melody, the interplay of instruments, all these reminded me of novel writing but without those fussy little buggers: words.

I love words, but there are days I hate them as well. They invite that dreaded art killer—interpretation. Without words, music requires its listeners merely to feel. What a relief. But I’m a word guy in the end, and so I try to see the words as notes, and the novel as a symphony. I can’t think a novel, after all, I can only hear it. Or I should say, I’ve tried thinking a novel, and the results were miserable, a flat world of chess pieces standing in dried out scenery. I always do my best writing when I forget that I am writing. And what a surprise, this was the very advice my wife received from her singing coach:

“Forget that you’re singing!” she’d bellow. “You’re listening to yourself.  Just let it through.”

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Story Of Your Life

Monday, March 1st, 2010

Books on writing often warn beginning authors against switching perspectives. This refers to the sometimes disorienting technique of hopping the POV (Point OF View) from one character to another. Indeed, when it’s done within scenes or within paragraphs, it can be confusing, but like all “rules”, this is more of a guideline than an absolute. As always, anything can work if it truly serves the story. I was just talking to Garth Stein yesterday who wrote a bestseller from the POV of a dog.  Anything is possible.

One of my favorite truisms says, “A miracle is a shift in perspective.” The author of this quote was not referring to narrative POV shifts, though in a way she could have been. We are all familiar with what I think of as a favorite sit-com device—the same event retold from each character’s perspective to comic effect. Often, this kind of story will include a version showing what “actually” happened, often identifiable by the characters not behaving like circus parodies of themselves.

Yet reality, it seems to me, exists only through the prism of perspective. As much as philosophers and scientists might yearn for an absolute, such a thing does not exist within human knowing. We are, by the purely physical limitations of eyesight alone, bound to our unique (literal) view of the world. Include thoughts, personal histories, cultures, gender and all the other vagaries that might influence perception, and life seems like a thing reflected in shattered glass, leading to existential cries of, “What’s really going on here?”

The gift of human imagination, however, is that reality isn’t fixed. What the novelist might learn in moving POV from one character to another is reality’s ultimate generosity. We are never bound to one perception by anything more than our own determination to maintain it. Just as one character might see a threat where another sees opportunity, our perception that we are not smart enough, or pretty enough, or fast enough, or rich enough, is nothing more than one of those sit-com character’s take on the current state of things. As the author of your life, you have the power to move at will from character to character, as it were, searching for the perspective that serves you best, that tells the story of your life as you actually wish to hear it.

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