I don’t tend to use a lot of adjectives when I write, though this was entirely an evolution rather than a conscious choice. I say this because low-adjective writing is very much the way in MFA programs, in part because of fashion, but also for very good reasons as well.
One problem with adjectives: they often pass judgment. I might write, “It was a sunny morning,” which is a fact. If I write, “It was a glorious sunny morning,” I am now telling a story, as it were, about that morning, telling you it is glorious. Its gloriousness is entirely subjective. There’s nothing wrong with subjectivity when it is used deliberately. For instance, in the case of this aforementioned morning, I, the writer, might understand the morning is not factually glorious, but I want the reader to understand the narrator perceives it as glorious. That is a fact.
The second problem with adjectives: they are often used in place of authentic feeling. Perhaps I would like to write about that same morning. Perhaps it was a morning I had lived, and which I had found glorious. By inserting glorious I am simply remembering the fact that I once found this morning wonderful, the way I remember that 2+2=4. On the other hand, if I return to that morning in my imagination, and if I feel again what I felt then, I can share how I loved that morning, such as, “It was the first morning in months that I could recall caring that it was sunny rather than rainy, the first morning in months I stepped out my front door and wanted to thank whoever was in charge for the day.”
Writing for me is about sharing something that I feel, and the only way to share that feeling is to actually feel it, to return again and again to what I wish to share. Eventually, I dropped adjectives because I found I was using them when I didn’t trust myself. After all, feelings, unlike fact, can’t be seen or touched or measured or compared; only their expression can be observed. Their source, meanwhile, is known only to me. And so I must trust every time I write that I can find the way back to that source, a journey that remains writing’s first and only real reward.
Write Within Yourself: An Author’s Companion.
“A book to keep nearby whenever your writer’s spirit needs feeding.” Deb Caletti.