When I was a teenager I was a passionate fan of music, movies, and novels. I could not, however, have been less interested in politics. This was in the late 70s and early 80s, a time still very much influenced by the upheaval of the 60s, particularly in the arts. Art and politics had gotten all tangled up in the 60s. It sometimes seemed that the job of a serious artist was to call for societal change.
I disliked this supposed mandate because I wanted to be a serious artist, but I had no desire to demand, march, or argue for change. I wanted to create stuff that left people feeling as good as I felt after I read a book, listened to a song, or watched a movie I loved. One day I found myself a reading a review of the Talking Heads album “Speaking in Tongues.” I loved this album. So did the reviewer.
However, this reviewer was particularly pleased to see that David Byrne, the band’s founder and songwriter, had clearly evolved artistically. “He’s even starting to drop in some social commentary!” she wrote. Oh, I was mad. Isn’t it enough to make something beautiful? Do you also have to tell everyone what they must do differently for the world to be a beautiful place?
I’m much older now, and my opinion of the relationship between art and politics has changed. No, I still don’t like to mix the two together. I feel about this division the way I do about the division of church and state. But I am more aware of the difference between the ugliness of how people sometimes treat one another, and the beauty of the art people are capable of creating. How much nicer it would be to read a newspaper and be as uplifted as when I read my favorite novel or poem.
But beauty, you may have heard, is in the eye of the beholder, which is as true of newspapers as it is of paintings, poems, and people. If it’s beauty I want, I must choose to look for it everywhere. And if it’s beauty I wish to share in my work, then I must see that beauty before I can render it in a story. The world, or society, can’t give me that beauty, that truth, that equality. I must learn to see it for myself.
I like this job, though I sometimes complain that the world is doing all it can to make my job more difficult. There are days I look out my window and do not like what I see: darkness and cruelty born of the blindness of hatred. Fortunately, blindness can be a temporary affliction. It is only a consequence of looking in the wrong place for what I want. The moment I turn my attention to beauty’s source, I see it everywhere. The veil we sometimes cast over it is transparent to the eye attuned to what moves us all.
“A book to keep nearby whenever your writer’s spirit needs feeding.” Deb Caletti.
You can find William at: williamkenower.com