Sometimes I will read a sentence by another writer that doesn’t ring completely true. Depending on how far from the mark the writer landed, such a sentence might get labeled “bad writing,” a term that is itself as inaccurate as the writing it claims to describe. The writing wasn’t bad, it was just unfinished and the writer didn’t know it.
I have written many, many such sentences in my life, and always a part of me knew at the time of the writing that there was something closer to what I had meant. I could not understand why some lines were spot on, while others strayed again and again from their mark. It felt like luck – or worse yet, talent, as if my only bad luck was being born slightly less talented than my literary ambitions required.
All of that changed when I learned that most of the best writing has nothing to do with words and everything to do with patience. And I don’t just mean the patience to rewrite. I mean the patience to wait until you can see or hear or smell or feel what you are trying render. You must have the patience to allow the lens of your imagination to focus completely on what you are trying to translate into language. How can you possibly render it accurately if it is not clear? How can you write what you cannot see? Such writing is luck, and you have about as much chance of winning that game as you do the slots in Vegas.
Before you put one word on the page, ask yourself, “Can I see it? Can I feel it?” If you can’t see it clearly, feel it clearly, put all words aside and wait. It is critical you not dwell in words in this moment; they will only confuse you. Wait until you have focused that lens as tightly as possible on your target. Then open your mind to words, and if your focus is tight and clear they will come effortlessly. There is no luck to it. There is only the willingness to believe that if you can see it, you were meant to write it.
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