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I Wrote a Book! Who Cares?
by Erin Brown
I can’t tell you how many times I’ve come across a
wonderfully written novel or work of non-fiction that I know for a
fact that no one, and I mean no one, will ever want to read. It’s
very disheartening to me to see such good writing go nowhere. So I
want to share a sage bit of advice (mmmmm, sage: a wonderful
addition to your holiday stuffing recipe): before you begin writing,
make sure someone—besides you, your mother, and your significant
other—give a rat’s patootie about your subject matter. This includes
the old “hook” dilemma for fiction. How is your novel different from
what else is out there? Why would someone want to spend their
hard-earned $24.95 on your lil’ old book?

I was recently contacted by a lovely woman who was in
the middle of writing a memoir about the fight to save her family
land from her “evil” brother. Let’s call him Evil Cletus. This
sounds like a very fitting name based on her description and the
fact that apparently most of his teeth are missing. Now, I’m
thinking, okay, perhaps Evil Cletus is a colorful character and this
will become a grand, sweeping epic of a poor, put-upon woman who
will stop at nothing to save her legacy! Steinbeck would be proud!
The saga, the characters, the bleak exploitation!!
Nope. Turns out it was all about the details of the
legal fight itself—case filings, depositions, mind-numbing property
rights jargon. In other words, she had glossed over the entire part
of her story that would be compelling to anyone who, well, wasn’t
her. The interesting family characters (how did Cletus lose his
teeth after all?), the emotions involved in this fight to save her
inheritance, the fact that despite the cancer raging through her
body, she’ll never, ever give up this battle until she reclaims the
land Grandma promised on her deathbed. I mean, that’s a story! But I
just couldn’t convince her to throw away her four hundred pages of
dry, point-by-point documentation of the legal maneuvering. It’s a
shame, too, because there’s a compelling story in there that will
never see the light of day.
If you’re writing a memoir, remember to craft the
story in a way that will appeal to people you aren’t married to or
birthed from. Remember that your life story isn’t automatically
interesting to readers. You must present it in a way that is
extraordinary. What makes your story different? Quirky? Poignant?
Compelling? If the answer is, “Nothing, but I want to tell it,” then
save yourself some time and find another hobby—backgammon?
Whittling?
When writing a novel, you must remember that just
because you want to tell a story doesn’t mean that other people will
want to read it. Give a lot of thought as to what it is that makes
your main character truly unique. What plot point makes your mystery
truly stand out from the pack, when thousands are
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Illustration by Jennifer Paros -
Copyright 20099
published every year? Is your setting compelling and
different? Why would this book grab the attention of a reader who
has thousands of other books to choose from in that giant
Barnes & Noble? If you can’t answer these questions and figure out
what makes your novel unusual, then you need to smash your laptop
and drain your pens of ink. Okay, maybe that’s a bit extreme, but
you get the idea. It’s simply a waste of good writing (and certainly
bad writing!) to tell a story that no one will care about.
This reminds me of perfectly well-written novels that
come across my desk several times a year. In each, the main
character is a recovering alcoholic detective who is investigating a
murder. But it turns out that the main suspect isn’t the murderer
after all! Shocking, huh? First, the plot itself has been written
about two million times, so it at least needs a big twist or
a kick arse setting or a character who is new and improved. The lead
P.I. who is a drunk has been done (very well!) by such luminaries as
Lawrence Block, James Lee Burke, and James
Crumley. And most first-timers really don’t want to try and
go up against these guys. So if you can’t or won’t find a unique
angle, but still feel the need to purge that life story or write
that chick lit novel about four best friends in New York who gab
about their troubles, then self-publish that bad boy, draw a purdy
picture for the cover, and give it to your family and friends.
The best idea is to think of a unique story or angle
before you begin the book. Don’t write just to write. Give it
some thought and flesh it out. Why would the average reader and the
average agent and, let me hear it, the average editor, want to drop
everything to read your book? Use that question as your goal and I
can guarantee that your work will be a hundred times more
interesting. The ultimate litmus test: put yourself in the shoes of
an editor. If you could only buy one book a month out of the
hundreds that cross your desk in the same time period, would you
pay (at least) tens of thousands of dollars for yours? Be honest
with yourself. If you would, then get that manuscript out there! If
not, put on your creative cap and start anew. I don’t want to have
to send Evil Cletus after you.
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Author Articles...
Erin Brown worked as an editor in New York City for
over eight years. She recently left Manhattan to start her own
freelance editorial business. To learn more about Erin, visit her
website at www.erinedits.com
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