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My Role
by Jennifer Paros

The
other day I was at my desk trying to get myself to start
working. I didn’t feel like doing anything, it seemed, and yet I
also wanted to work. Frustrated and unable to neither crack the
proverbial whip nor walk away, I closed my eyes for a moment in the
hope of releasing myself from this tug-of-war.
In my
mind’s eye, I was back in eighth grade, musing over how good I felt
rehearsing our graduation play (it was a musical) and helping out on
the production. I thought about Sam (name changed for this tell-all
account) – my “co-star,” a fellow eighth grader. Sam was not
comfortable acting and had trouble singing on key. At the time, I
didn’t bother much about Sam’s challenges, though I was
rooting for him and any possible improvement. I wanted it all to
work but more importantly, I just wanted to work. I wanted the
experience of working together on the production and I already had
that experience, regardless of Sam’s performance.
In
eighth grade I didn’t feel great about who I thought I was. I felt
compelled to hide, striving to conceal what I had determined to be
some ill-defined deficient aspect of me. I wasn’t thrilled about
showing up for life because life seemed to be about feeling bad
about myself. But while in this play, I was engaged in the pleasure
of my new role and work, and the usual story that so colored my days
rarely caught my attention.
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Pebble by Pebble
by
Pamela Moore Dionne
So
one day as you sit in front of your computer staring at a blank
screen you find that the words don’t come easy. Maybe they don’t
come at all – not even when you hog-tie them and try to drag them
onto the screen. What do you do? Are there tricks to getting
something down in print that will give you a place to start – a bare
beginning from which to take a leap of faith? Over the years, I’ve
hit many boulders in the path to a completed manuscript. I’m here to
tell you that there’s usually a way over, under, or around every
obstacle on the road to publication.
Sometimes a block is only a bump, like a nudge that gets you to dig
deeper into your subject. Other times it’s a mountainous directive
telling you that the bridge you’re trying to cross is no longer
functional – turn back. Sometimes you have to let go by getting up
and walking away from the computer. I’m not telling you to abandon
your work altogether.
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A Capital Idea

by Cherie Tucker
A student at the University of Washington just asked me when to
capitalize words that follow colons. She wondered if there were
rules or if it was just a matter of taste. Well, yes, Virginia,
there are rules. In fact, there are two pages of them in The
Gregg Reference Manual, but let’s boil them down.
First let’s look at when you don’t have to capitalize.
Do NOT use a capital if:
-
The material following the colon is not a complete sentence.
There are two ways to get here: the long way and the longer way.
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Self-Publishing in the Age of E
by Erin Brown
Last month, I was honored to be one of three panelists on the
Publishers Weekly SXSW (South by Southwest) panel,
“Self-Publishing in the Age of E.” The other two invited panelists
were Hugh Howey, self-publishing phenomenon and author of Wool—which
was recently featured on the cover of The Wall Street Journal
and earned Howey over $1 million before it was bought by Simon &
Schuster—and New York agent Kirby Kim, of William Morris Endeavor.
Obviously, I was the most famous and esteemed person on the panel,
but I decided to humble myself and participate.
Publishers Weekly
wanted to bring this topic to the hippies of my hometown of Austin
and those who had traveled to SXSW from all over the country and
world because self-publishing has changed drastically in the past
five years. One of my first articles for Author four years
ago was all about how self-publishing was a last resort option.
There had always been a stigma with self-publishing. Well, times
they are a’changin’. In 2012, the Fifty Shades of Grey
trilogy sold like gangbusters, making the author millions, becoming
the bestselling adult series of all time, and introducing everyone’s
mothers and grandmothers to the world of S&M and erotica (yeah,
thanks for that, E L James!). According to the publishing services
company Bowker, the number of self-published books produced annually
has nearly tripled since 2006, growing by 286%. So what does this
mean for you?
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What does it take to create a great character?
by Jason Black
First you need a fresh concept for the character, right? Sure. You
don’t want to be giving us the same cliché, central-casting
characters we’ve seen a million times. Then they have to be
admirable in some way that helps readers root for them. That is,
they don’t have to be likeable or nice, but there has to be
something about them we can respect. And we can’t forget to give the
character some flaws, too, so the character can experience personal
growth through the story. Naturally not. Besides, readers can’t
relate to characters who are too perfect. Oh, and a good, solid name
helps too, doesn’t it? Goodness knows we writers spend a lot of time
agonizing over finding the perfect name.
Those are all helpful things, but they’re not what it takes to
create a great character.
Creating a great character takes you.
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